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WORK EXPERIENCE
Head Librarian
Art Reference Library, North Carolina Museum of Art | Raleigh, NC
May 2022-present
Adjunct Instructor
University of North Carolina at Chapel Hill | Chapel Hill, NC
January 2024-May 2024
- Co-taught INLS 749: Art and Visual Information Management
Art + Architecture Librarian
Design Library, University of Oregon | Eugene, OR
January 2020-April 2022
Instructional Design Librarian
Alfred R. Goldstein Library, Ringling College of Art + Design | Sarasota, FL
June 2018–January 2020
Samuel H. Kress Fellow in Art Librarianship
Robert B. Haas Arts Library, Yale University & Reference Library, Yale Center for British Art | New Haven, CT
July 2017–April 2018
EDUCATION
Indiana University
Master of Library Science, 2017
Master of Arts, Art History, 2017
MA Essay: “The Spatial Politics of Ephemerality: Queer(core) Cruising in J.D.s”
Temple University
Bachelor of Arts, Art History, magna cum laude, Honors Program, 2013
Capstone: “Saint Francis Defeats the Antichrist: Reaffirming New World Catholicism by Re-Defeating the Moors”
CONTINUING EDUCATION
Discover Sign Language, Wake Technical Community College, 2023
Academic Library Budgets 101, Library Juice Academy, 2021
Art and Inquiry: Museum Teaching Strategies for Your Classroom, Coursera, 2019
Introduction to the Scholarship of Teaching and Learning, Library Juice Academy, 2019
Feminist Pedagogy for Instruction, Reference, and Beyond, Library Juice Academy, 2019
Backward Design for Information Literacy Instruction, Library Juice Academy, 2018
Digital Surrogates: Representation, Engagement, and Meaning, Humanities Intensive Learning and Teaching, University of Pennsylvania, 2018
The History of the Book, 200–2000, Rare Book School, University of Virginia, 2017
Summer Educational Institute for Visual Resources and Image Management, University of North Carolina at Chapel Hill, 2016
TEFL/TESOL Certification, 100-hour course, International TEFL and TESOL Training, 2013
PRE-PROFESSIONAL EXPERIENCE
(Curatorial) Graduate Assistant, Department of European and American Art
Sidney and Lois Eskenazi Museum of Art | Bloomington, IN
August 2014–May 2017
Graduate Supervisor
Fine Arts Library, Indiana University | Bloomington, IN
June 2015–January 2017
Cataloging Assistant
Lilly Library, Indiana University | Bloomington, IN
August 2016–December 2016
Internal Processing Assistant
Auxiliary Library Facilities Internal Processing, Indiana University | Bloomington, IN
July 2016–August 2016
Visual Resources Assistant
Fine Arts Library, Indiana University | Bloomington, IN
May 2016–August 2016
Library Coordinator
GLBT Library, Indiana University | Bloomington, IN
January 2015–January 2016
Reference Assistant
Herman B. Wells Library, Indiana University | Bloomington, IN
May 2015–Aug 2015
Library Center Supervisor
Willkie Library, Residential Programs and Services, Indiana University | Bloomington, IN
Aug 2014–Aug 2015
Library and Office Intern
James A. Michener Art Museum | Doylestown, PA
Sept 2013–Jan 2014
Library Intern
Henry Mercer Museum | Doylestown, PA
June 2013–Sept 2013
PUBLICATIONS
PEER REVIEWED
“Space.” In Keywords in (Critical) Library Information Science/Studies. MIT Press, forthcoming.
“Bottoms Up: A Queer Asian Perspective on Service in Academic Librarianship.” In Deconstructing Service in Libraries: Intersections of Identities and Expectation. Sacramento: Library Juice Press, 2020.
“Specter of Censorship: Comics in Academic Library Leisure Reading Collections.” In Comics and Critical Librarianship: Reframing the Narrative in Academic Libraries. Sacramento: Library Juice Press, 2019.
REVIEWS
Review of Louise Nevelson’s Sculpture: Drag, Color, Join, Face (Yale University Press, 2023). Art Libraries Society of North America Reviews, 2023. https://doi.org/10.17613/sg23-fs07.
Review of OpenBibArt. Art Libraries Society of North America Multimedia and Technology Review, March 2023.
Review of The Play in the System: The Art of Parasitical Resistance by Anna Watkins Fisher (Durham: Duke University Press, 2021). Art Libraries Society of North America Reviews, 2021.
Co-edited with Tara Spies Smith. Notable Graphic Novels Review. Art Libraries Society of North America, September 2020.
Review of Drawing Degree Zero: The Line from Minimal to Conceptual Art by Anna Lovatt (Penn State University Press, 2019). Art Libraries Society of North America Reviews, May 2020.
Review of “Art and Inquiry: Museum Teaching Strategies for Your Classroom.” Coursera. Art Libraries Society of North America Multimedia and Technology Review, November 2019.
Co-edited with Olivia Piepmeier and Tara Spies Smith. Notable Graphic Novels Review. Art Libraries Society of North America, June 2019.
Review of Unruly Visions: The Aesthetic Practices of Queer Diaspora by Gayatri Gopinath (Durham: Duke University Press, 2018). Art Libraries Society of North America Reviews, March 2019.
Review of When Artists Curate: Contemporary Art and the Exhibition As Medium by Alison Green (London: Reaktion Books, 2018). Art Libraries Society of North America Reviews, September 2018.
Co-edited with Olivia Miller and Tara Spies Smith. “10 Notable Graphic Novels Published in 2017.” ARLIS/NA Graphic Novels SIG (blog), June 25, 2018. http://arlisgnsig.blogspot.com/2018/06/10-notable-graphic-novels-published-in.html.
Review of Sculpture: Vertical, Horizontal, Closed, Open by Penelope Curtis (Yale University Press, 2017). Art Libraries Society of North America Reviews, January 2018.
Co-edited with Olivia Miller and Tara Spies Smith. “10 Notable Graphic Novels Published in 2016.” ARLIS/NA Graphic Novels SIG (blog), September 21, 2017. http://arlisgnsig.blogspot.com/2017/09/10-notable-graphic-novels-published-in.html.
OTHER PUBLICATIONS
“Sabbatical Simulacrum: Zach Koch’s Everything Not Saved Will Be Lost.” In NOISE, Volume 2: OUTPUT SABOTAGE, edited by Raphael Cornford, Bill Bass, and MaryClaire Pappas. Bloomington, IN: Noise Gallery Press, 2019.
“Glitches in the Machine: Jeron Braxton’s Glucose at NOISE.” In NOISE, Volume 1: Things That Aren’t, edited by Raphael Cornford and Bill Bass, 24-37. Bloomington, IN: Noise Gallery Press, 2017.
PRESENTATIONS
“Organizing an Inaugural Art Book Fair at the North Carolina Museum of Art,” Book Art Special Interest Group, Art Libraries Society of North America, Virtual Meeting, 2023.
“Library Collections Assessments: Comparing Methods across Three Institutions,” Transformative Assessment: Keeping Collections Relevant, Art Libraries Society of North America, Mexico City, Mexico, 2023.
Co-panelist, “Comics and Critical Librarianship Reframed,” Comic Studies and Practices Symposium, Virtual Conference, 2022.
Co-presented with Claire Powell, “Pathways to Pedagogy: Developing a Faculty Teaching and Learning Workshop Series,” Art Libraries Society of North America, Chicago, IL, 2022.
Co-panelist, “Thinking Beyond Collections: Academic Librarians as Partners in Building Communities of Comics Scholars,” Comic Studies Society, Virtual Conference, 2021.
Co-panelist, “BIPOC Art Librarians: The Anomaly in the Academy,” Association of College and Research Libraries, Virtual Conference, 2021.
“Scaffolding Business Research Design Instruction for Art and Design Students,” Poster Presentation, Art Libraries Society of North America, Virtual Conference, 2021.
Co-presented with Kate Thornhill, “Functional and Subject Specialists Collaborating in the Remote Classroom,” Information Literacy Advisory Group of Oregon, Virtual Conference, 2021.
“Reimagining Critical Information Literacy Instruction for Interdisciplinary Art and Design Upperclassmen,” New Voices in the Profession, Art Libraries Society of North America, Virtual Conference, 2020.
Co-panelist, “SIG [Special Interest Groups] Lightning Round,” Lightning Round Presentation (on behalf of the Graphic Novels SIG and the Critical Librarianship SIG), Art Libraries Society of North America, Salt Lake City, UT, 2019.
Co-panelist, “You, Too, Can Write a Review: Demystifying the Library Resource Review Process,” Interactive Panel Presentation, Art Libraries Society of North America, Salt Lake City, UT, 2019.
“The Politics of Ephemerality: Queer Analogies for Zine Collection Development Ethics,” Poster Presentation, Gender and Sexuality in Information Studies Colloquium, Simmons College, Boston, MA, 2018.
Co-presented with Kendra Werst, “Reciprocal Relationships: Student Organizations and Professionals,” Poster Presentation, Art Libraries Society of North America, New Orleans, LA, 2017, and Poster Presentation, Visual Resources Association, Louisville, KY, 2017.
“User Needs for Art Library Comic Collections,” Graphic Novels Special Interest Group, Art Libraries Society of North America + Visual Resources Association (joint conference), Seattle, WA, 2016.
“Against the Odds: Developing and Promoting a New Zine Collection,” Poster Presentation, Art Libraries Society of North America + Visual Resources Association (joint conference), Seattle, WA, 2016.
OTHER EVENT PARTICIPATION
Co-organizer, End Paper: NCMA Art Book Fair, North Carolina Museum of Art, Raleigh, NC, 2023.
Co-organizer, “Cash Rules Everything Around Me,” Visual Resources Association, Virtual Conference, 2021.
Co-organizer/Facilitator, “Diversity Forum,” Art Libraries Society of North America, Virtual Conference, 2020.
Moderator, “Incorporating Diversity in our Workplace: All are Welcome, but How Do We Get There?,” Visual Resources Association, Virtual Conference, 2020.
Co-moderator, “The Art of Belonging: Intersectional & Anti-Oppressive Practices in Art Librarianship” (Diversity Forum), Art Libraries Society of North America, Salt Lake City, UT, 2019.
Co-organizer/Notetaker, “Find Yourself: Establishing a Professional Identity in Art Librarianship,” Art Libraries Society of North America, Salt Lake City, UT, 2019.
Co-panelist, “Code of Conduct Training” (pre-conference webinar), Art Libraries Society of North America, 2019.
Poster Session Coordinator, Art Libraries Society of North America, New York City, NY, 2017–2018.
“Out of the Box: The Legacy of the Readymade,” Noon Talk, Sidney and Lois Eskenazi Museum of Art, Bloomington, IN, 2017.
“Lessons Learned: The Influence of Josef Albers on Ronald Markman and Richard Anuszkiewicz,” Noon Talk, Sidney and Lois Eskenazi Museum of Art, Bloomington, IN, 2016.
EXHIBITIONS
Then and There, Here and Now: Contemporary Visions of North Carolina, North Carolina Museum of Art, 2025-2026.
Plants/Prints, Design Library, University of Oregon, 2022.
ZINES: Final Projects from Winter 2022, Design Library, University of Oregon, 2022.
Participation and Contemporary Artists’ Publications: In Art Historical Context, Design Library, University of Oregon, 2021.
Circa Surrealism: Foundations and Legacies in Print, Design Library, University of Oregon, 2020-2021.
Co-curated with Janelle Rebel. Your Day & Your World, Brizdle-Schoenberg Special Collections Center, Ringling College of Art + Design, 2020.
The Play’s the Thing: 50 Years at Yale Rep, Omeka adaptation of exhibition curated by Lindsay King, Yale University, 2018, https://onlineexhibits.library.yale.edu/s/yalerep/page/50years.
Fountain at 100, Sidney and Lois Eskenazi Museum of Art, 2017.
#Occuprint, Fine Arts Library, Indiana University, 2016.
After Yale: Pupils of Josef Albers, Sidney and Lois Eskenazi Museum of Art, 2016.
Comics at the Fine Arts Library, Fine Arts Library, Indiana University, 2015.
PRESS/INTERVIEWS
“End Paper: The NCMA’s First Art Book Fair.” Preview (NCMA Newsletter) (Fall 2023): 6-9. https://issuu.com/ncartmuseum/docs/fall_2023_preview_digital.
“What Our Members Are Saying: Andrew Wang.” Art Libraries Society of North America. October 7, 2020. https://www.arlisna.org/news/what-our-members-are-saying-andrew-wang.
Eskenazi Museum of Art. “Alumni Spotlight: From IU to Yale to the Ringling College of Art & Design, a Q&A with Museum Alumnus Andrew Wang.” Eskenazi Museum of Art Magazine, no. 3 (Fall 2018): n. p.
Wetli, Autumn. “Hack Your Art Librarianship Program: Indiana University, Bloomington.” ARLISNAP: Art Library Students & New ARLIS Professionals (blog). October 16, 2017.
Ksander, Yaël. “Duchamp’s ‘Fountain’ At 100, And The Black Lives Matter Songbook.” Café Indiana (radio show). February 18, 2017. https://indianapublicmedia.org/cafeindiana/2017/02/18/duchamps-fountain-100-black-lives-matter-songbook/.
PROFESSIONAL SERVICE
North Carolina Museum of Art
Member, Inclusion, Diversity, Equity, and Accessibility Taskforce, 2023
Member, Search Committee, Manager of Tour Experiences, 2022
Art Libraries Society of North America (ARLIS/NA)
Treasurer, Executive Board, 2024–2026
Web Editor, Southeast Chapter, 2024–present
Peer Reviewer, Art Documentation, 2021–present
Member, Editorial Board, 2019–2020
Member, Strategic Directions Committee, 2019–2020
Member, Diversity Committee, 2018–2020
Co-Editor, The Art of Diversity (Diversity Committee’s blog), https://arlisdivcom.wordpress.com/
Co-Founder/Co-Coordinator, Critical Librarianship Special Interest Group, 2017–2019
Co-Coordinator, Graphic Novels Special Interest Group, 2015–2019
Member, Awards Committee, Art Libraries Society of North America Midstates, 2017–2018
University of Oregon
Member, Search Committee, Associate Vice Provost and University Librarian for Research, Instruction, and Access Services, 2022
Member, LibGuides Editorial Team, 2022
Member, Librarians Performance Reviews Task Force, 2022
Member, Fall Kickoff Committee, 2021
Member, LibGuides Taskforce, 2021
Member, Tutorials Taskforce, 2020-2021
Ringling College of Art + Design
Member, Diversity and Inclusion Committee, 2019–2020
Member, Faculty Grievance Committee, 2019–2020
Member, Search Committee, Associate Dean of Students for Diversity and Inclusion and Director of the Center for Diversity and Inclusion, 2019
Other
Sponsor, MLIS Student Practicum, Olivia Coyne, Mariana Fabian, and Erin Zamborsky, “Unheard Voices: The Employees Behind the Curtains,” 2024–2025
Juror, Art + Design Expo, Appalachian State University, 2024
Peer Reviewer, Visual Resources Association Bulletin, 2020–2023
Juror, Wiki Loves Monuments, 2021
Member, Equitable Action Committee, Visual Resources Association, 2019–2021
Member/Recorder, Research, Instruction, and Outreach Committee, Yale University Library, 2017–2018
Member, Awards Committee, Zine Librarians (un)Conference, 2017
HONORS/AWARDS
CLAPS Scholarship, Critical Librarianship and Pedagogy Symposium, 2018
Sponsored Scholarship, Humanities Intensive Learning and Teaching (HILT), 2017 (claimed 2018)
William C. Bunce Travel Award, Art Libraries Society of North America Midstates, 2017
New Horizons Student Award and Luraine Tansey/VRA Travel Award, Visual Resources Association, 2017
ZLuC Travel Grant, Zine Librarians (un)Conference, 2016
Julieann V. Nilson Scholarship, Indiana University, 2016
B.J. Kish Irvine Award, Indiana University, 2016
Student Diversity Award, Art Libraries Society of North America, 2016
Director’s Fund Scholarship, Rare Book School, 2015 (claimed 2017)
Phi Beta Kappa, 2013
Billikopf Award, Department of Art History, Temple University, 2013
AFFILIATIONS
Art Libraries Society of North America
- Member, Northwest Chapter (2021–2022)
- Member, Southeast Chapter (2018–2019; 2022–present)
- Member, Midstates Chapter (2016–2017)
Andrew Wang 